2006-09-24

New Medi Show at OCCCA



Two fo my video works are going to be shown
in "New Media Show" at Orange County Center of Contemporary Art,
from November 4nd to December 12th.

Please join us at the opening on November 4th at 7pm***

OCCCA
Website:http://www.occca.org/index.html

New Media:
> By definition, New media art is a generic term used to describe art related to, or created with, a technology invented or made widely available since the mid-20th Century. The term differentiates itself by its resulting cultural objects, which can be seen in opposition to those deriving from old media arts (i.e. traditional painting, sculpture, etc.) New Media concerns are often derived from the telecommunications, mass media and digital modes of delivery the artworks involve, with practices ranging from conceptual to virtual art, performance to installation.
November 4 - December 17, 2006
> Reception for the Artists: Sat Nov 4th, 7-10pm FREE

Juried by John Newlander and Stephen Anderson
> Both are accomplished artists that have created multiple
video and installation / interactive works.
This international call for art provided an opportunity to
showcase
work that breaks new ground with art and technology.


Selected Artists:

Holly Longstaff – Distorted Conversations: On and Offline Explorations of Genomic Art
> Her work fosters public dialogue and debate about novel technologies. She is a social scientist working in the area of genomic and genetics. She turned to New Media art when she could not communicate certain troubling aspects of her research through academic papers, presentations or public consultations. She is particularly interested in pre-implantation of genetic diagnosis, genetic engineering of human embryos and genetically engineered food products.

Brian Evans – Squrl
> Software that constructs images using binary formulas created by the artist.

Chris Basmajian – Unstable Mirror & Psycho
> Chris uses a processed real-time video as sort of a digital mirror, which is able to distort perception and time. He makes the viewer stand before an electronic image and video camera, forming an optical stirred by the curious gravity of narcissism. As the viewer moves, the image is activated in ways that give pause for reflection. When body language of the internal monologue is read outside of the speculative circuit, a social element intrudes in unpredictable ways.

Catherine Forster - Golden Oldies
> Catherine has utilized the iPod for visual metaphors for Golden Oldies songs such as Under the Boardwalk, Spinning Wheel and Tiny Bubbles.

Robert O’Connor – We Drink
> Visually poetic performance packed with metaphor and contextual overtones.

Michael Lasater – Billboard
> A monotonous snare drum riff drives this composition; with each drum roll words fly and tumble onto the screen, then exit. A man in neon outline eats ravenously, constantly. The rhetoric of Billboard is that of mass advertising, vaudeville and TV situation comedy; it’s a sales piece, designed first and foremost to simply get and hold the attention of the audience. What it’s selling is a message with several possible interpretations.

Steve Shoffner – Looking Glass 12
> His hidden performance pieces explore surveillance and public fascination with technology.

Karen Horlbeck – Permutations
> Karen’s work deals with language and visual comprehension while randomly weaving two stories with identical grammatical syntax together forming new narratives.

Brian DeLevie – Remembered, Digital Palimpsests #4
> Is a visual exploration of recorded history and subjective memory. Using the palimpsest as a model for this exploration Brian layers each canvas with imagery and video to represent mixed memory, a merging of historical and personal perspectives whose partial erasure and rediscovery recedes and re-emerges with a media saturated environment.

Jason Margos – Come Inside
> The mundane and the humorous play a large role in his video work. His videos exaggerate depiction of the everyman and his routine. They are a product of deep fascination with his surroundings. Jason says that the medium of video has allowed him a new way to realize his vision and tell stories.

Julie Easton – Wishing You Well
> This piece was made for her best friend of 23 years, Marianne, who had been living with cancer was nearing the end of her journey and it is a gift to other courageous individual living with life altering illnesses. A mixed media installation that utilizes organic materials reflecting the materials we are made from and man-made materials denoting our fascination with and our reliance on our creations. This pieces also incorporates a recorded phrase “Wishing You Well” from family member and friends in several languages. The looping video and audio functions as a digital mantra, reflecting and refracting a state of wellness to the viewer.

Mika Soma – Playa Del Ray and Eating At Home
> Charming video projects that explore relationships and co-dependence.

Humberto Ramirez - Interactive Websites
> A survey of highly interactive / conceptual websites.

Michael Ryan - Dead Space
> Michael has created a mechanical structure that emulates a biological system. His piece uses kinetics and sound to explore and expand the perceptive field into an experimental dialogue between the visual, the aural and the volitional domain of the viewer.

Paho Mann – Sort
> Interactive Website in which the artist has documented everything he owns and invites the viewer to sort and organize his possessions. Like shopping at your friend’s house.

Karolina Sobecka – Pornographic Pursuit
> In this interactive piece the viewer stands before a vintage movie of Marilyn Monroe where she proceeds to seduce the viewer with a coke bottle and an apple. Her enticing strip tease moves frame by frame to the movements of the viewer, if the viewer stands still the movie stops or goes backwards if they move quickly it speeds up. Ultimately the viewer becomes wildly active; dancing about waving arms, trying to get to the movie to move along quickly to a scene that is implied but does not appear.

Delvin Charles Hanson – The Dance
> A constructed 3D model dances and interacts in a video theater.

Orange County Center For Contemporary Art
117 N Sycamore. Santa Ana, CA 92701 www.occca.org
714 667 1517 • Th-Fri 12-5pm, Fri-Sat 12-9
1st Sat receptions: 7-10pm • First Friday Films: 8pm
Orange County Center for Contemporary Art
> Is an artist run California nonprofit corporation. OCCCA affiliate artists are committed to presenting contemporary art exhibitions in an atmosphere conducive to discussion without censorship.
OCCCA is located at the corner of 2nd and Sycamore in the Santa Ana Artists Village. There is no entrance fee. Please see the web site for moreinformation, www.occca.org, or call the gallery during regular operating hours.

Maps and other area events please see www.aplaceforart.org
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2006-06-29

Film and Video Festival at Echo Park Film Center

Two of my video works are going to be shown at this show.
"Akai-ito @ Playa del Ray", and "Eating. -at home-"
I hope you can come and see my works.
I will be there, so please feel free to talk to me.
(And I am terribly sorry to all of my friends for not having free admission tickets for you...)


The Los Angeles Art Association
in association with the Echo Park Film Center presents:
Film & Video 825’s

“2nd Annual Student Film & Video Festival”

Thursday, July 13, 2006, 8pm

at Echo Park Film Center
1200 N. Alvarado Street (@ Sunset Blvd), Los Angeles, CA 90026
$5 general admission


Film & Video 825 is pleased to present the very best in international student video art. The artists selected this year comprise students from the 8th grade through the MFA level.


The festival will include the work of:

Tarik Abdel-Gawad, UC Santa Barbara
Manasi Ashish, Otis College of Art and Design
Jesse Bellon, York University, Ontario, Canada
David Callaghan, CSU Northridge
Alexis Disselkoen, UCLA
Brittany Lynne Jones, Loyola Marymount University
Jeffrey Magenheimer, LA City College
Hisashi Murakami, CSU Northridge
Dustin Patar, Howe Sound Secondary School, British Columbia, Canada
Mika Soma, Otis College of Art and Design
Alexandra Wetzel, USC



Film & Video 825 is a bi-monthly event or screening of local, national and internationally recognized video artists’ work, curated by LAAA/Gallery 825 and members of the arts community. It is the ongoing mission of Film & Video 825 to support and provide a forum for presenting in Los Angeles, bold, contemporary works that are outside the mainstream of narrative cinema. Our curatorial vision is open to both shorts and features in experimental, performance, animation, and documentary forms.
For more information on Film & Video 825 or LAAA/Gallery 825, please visit our website at www.laaa.org.

2006-06-06

Back In Japan


I am currently in my home town, Ashikaga, Japan.
I will be sampling my favorite ambient sound here on Mini Discs, and videotaping whatever I feel like.
I am thinking of collecting sounds and footage from both Japan and Los Angeles in order to generate works that intergrades those two places that I consider as my "home".
By using the material I will have, I am thinking of a video work, a projection installation with sound, audio installation, photo collages, and some paintings possibly. (Not as a whole projetct. They are all separate projects at this point.)

2006-05-01

Public Art Proposal

Proposal for our Zigbee Radio Waves transmiting project

see this link to see our proposal
http://www.blogger.com/posts.g?blogID=24631906

Impetus- what’s the drive to produce the work?

I am interested in creating an object that is accessible to anyone that causes questions to viewers. In this project, our audience is going to be indeterminate even though it is installed for an event, and the signage of the information about radio and its restrictions made by FCC, and by giving them the opportunity to “break the law” will cause fundamental, but often transparent questions about what is right and what is wrong. When can it be right/wrong, why can it be right/wrong, under what circumstances can it be right/wrong, who tells us what is right/wrong, and why do “they” want to do that to “us”? I am hoping that this project will question the power structure to the audience.

Research- investigation, sources, methodologies
Research on how the technology works :
We have read a lot about how a radio works, but I got to learn about transmitter by being in charge of assembling our transmitter. We will need a conductive substance in the trim cap for it to work the best. Otherwise the sound quality and transmitting range remarkably drops down. Armature radio people use a lot of powerful (and very expensive) equipments in order to find the unlisted frequencies and have very strong transmitters/radio receivers to get their station heard by the masses.


Investigation on FCC restrictions:
I found this pdf file that a lawyer created explaining the commity's reglations so it is easy to understand.
www.lns.com/papers/part15/Regulations_Affecting_802_11.pdf

Last years' Sound Walk info to get some sense of what it will be like this year:
SoundWalk is an annual art event produced by the Long Beach artist group, FLOOD.
In SoundWalk2005, there were 60 artists (from Southern California, Germany, Italy, UK, and New Zealand ), and about 1,000 viewers to particpate the event. "Many of the visitors had no prior encounter with sound art as sound installations and their responses to the event were overwhelmingly excited. The installations include a wide variety of combinations with visual and audible components. There are sculptures, environments, installations, and performances.The outdoor sound installations add a layer to and perform in concert with the sounds of the city, thus altering and intermingling with the ambience of their locations. Unlikely combinations of the ordinary and the extraordinary become chance encounters for the attending public. Galleries and stores within the Arts District will accommodate a variety of indoor installations in uncommon intersections of art and commerce."

http://www.villagesavant.com/mt/archives/2005/05/soundwalk_2005c.html
http://www.soundwalk.org/05about/aboutsw.html


Audience:
According to Michele Jaquis, who participated in last years' event, there will be a miture of art/non art audience.

Locus- geographic and metaphoric site, location, place; characteristics of the space;
Our site will be Long Beach Sound Walk 2006. Because Sound Walk still has not responded to my email regarding to their potential location for this years event, we do not have specific locations for our “Pedestrian Broadcasting Units”. But since I am concerned about our project’s site-specificity, we should have the list of the other radio stations as a part of the information provided at each unit.
According to Kate, for last year their site was about a couple of blocks in Long Beach, between Long Beach Blvd and Alamitos, 3rd St and 1st St.
The site is expected to be somewhat crowded due to the event, which will give our project better chance to be discovered and actually interacted.

Transactions- forms of engagement, collaboration, inquiry. Meaning development, planning
I have been collaborating with Aaron, Brooke, and Kate to put this proposal together. Through this project we had to learn how to communicate with each other better, and keep our ideas together.
I think that our project will cause some confusion and questions about the ideas of power and autonomy in turms of media producers and consumers, and also the idea of privacy and public, on the audience who happen to find our units.


2006-04-18

I dont want art to be as special as right now...

Today, I was listening to an artist who was giving a lecture at Otis, and he both inspired me and also discouraged me a lot at the same time for saying that he does not care about outside the art-world audience because 'normal people' just do not get it.
But my concern in art making is to break through that kind of distancing of people by separating people by the idea of "insiders" and "outsiders". I am also concerned about closed-mindness of humans. I often find myself trying to find out some ways to smudge the line in between art and life. I want to make something that may be called "art" that doesn't limit the audience. I want to make something that maybe called "art" that brings positive questions for the audience. I want to generate the potential bond in between people through my creations as a part of the world.

2006-04-09

"Moon Without Rabbits"


"Moon Without Rabbits" writing mika soma 2006

World without monkeys. Make marshmallow-bricks and build a soft, sweet, wall to block a view. Mortared crane flies over salty water. A suspended floor dripping over an ugly cake. A tightly connected scarf choking us to death. It scratches in my eyes and they pop out. Tomato juice is too green to me. The sun floats through shattered windows. Boil-Boiled-Boiled. Hard, heavy clouds fall down to the earth. Shadows grow into the sky. Kuramubon kuramubon, I want to see kuramubon. Childhood dream. A vast rice-cracker-fields over that marshmallow walls. Dirt-Driter-Dritest. A mouse takes me to the other side. Very far, and very close. Luke warm breeze stabs through my ears to deaf. Wavy and static voice calm my pulse. #? or $? A rooster with a secret-key-shaped beak. The day watcher looks at the Moon without rabbits. Excessive use of drier in June. Treasure of the island. The corner shrinks to spread. A shaking dog sleeps on a melting roof for tomorrow to Come-Came-Come. Fill the bowl with a bunch of universe. Vacuum the wethers out of a Luis Vuitton bag. Traces of airplanes. Ichigo-shoto hitotsu onegai shimasu. (One strawberry cake please.)

2006-04-03

My interests in Senses and Textures***

Marshmallow:
I have been thinking about candy lately because my partner has been doing very interesting things with gummies and hard candies. (I am not telling the detail*)
But what interests me is how pretty it is, and its connotations of childhood and sexuality.
The hard candy that he made was so beautiful. I think its beauty can be used in some interesting ways in making art.
But I just happened to get some marshmallows from my friend Nick, and I was telling him how I never really liked its taste, but I have alwasy loved how it feels on my finger tips and cheeks.
Maybe I should make some marshmallow to play with.
http://home.howstuffworks.com/question128.htm

Its texture resembles that of a "daifuku-mochi". A soft sweet red bean paste covered with mochi, which is coated with very fine flower. I love how this feels also.
Daifuku matress, daifuku garmet, daifuku person.....